I wasn’t convinced there was a need for the LG StanByMe 2 TV – but I’m completely sold on this rollable display after 3 weeks with it

LG StanByMe 2: Two-minute review

LG’s StanByMe TV has admittedly been something I’ve glossed over ever since the first-generation model was launched way back in 2021. A 27-inch TV on a rollable stand? “What’s the point?” I always wondered. While a 27-inch TV would’ve been considered ‘big’ in the late ‘90s or early 2000s, we now live in a time where a 48-inch TV is realistically the smallest size we’d put in our living room. And with recent releases from the likes of Samsung reaching up to 115 inches, is there really a place for a much, much smaller 27-inch screen in the home?

LG clearly didn’t share my reservations, as the Korean manufacturer announced a second-generation model at CES in January 2025 that didn’t just introduce a few iterative upgrades, but instead represented a complete overhaul.

The premise is the same – a TV you can move from room to room – but it now offers other notable features, including a QHD panel (an increase from the 1080p full HD of the previous generation) and new viewing modes that allow the user to watch while the screen is off its stand (its predecessor was fixed in place).

I’ll admit that I began this review as a sceptic, but after using the LG StanByMe 2 for a few weeks, I’ve done a complete 180 – this is a genuinely fun, cool, useful TV. It’s not going to replace your main screen for watching movies and TV shows, but that’s also not its purpose.

The StanByMe 2 is a TV that you can have in the kitchen to follow along with recipes, or if you have a small bedroom, you can position it over your bed for late-night binge watching. It’s touchscreen-enabled, so you can lay it flat on a table and have your kids play interactive games on it. You can take it away with you in the car to set up and watch content at a campsite or hotel as it can run on battery for a while. I even used it as a second display attached to my laptop.

The built-in battery promises up to four hours from a single charge (up from 3.5 hours in the previous model). I found this to be pretty accurate, although do note that even when the screen is turned off, it’s technically in a standby mode and will continue to use the battery. I left it turned off over a weekend with a full charge, but it had dropped to 34% on my return three days later. A physical power button can be found on the side of the TV, and a long press will power it down completely.

The idea of the StanByMe 2 may elude people at first, but once you have one in your life, you’ll wonder how you ever did without it.

Picture quality is good, although it won’t rival the best TVs. Its built-in speaker system delivers a pleasing audio performance, and is on par with the performance you’d get from conventional TVs. In virtually all cases, we recommend adding one of the best soundbars to boost the sound. Fortunately, you can connect it to a soundbar thanks to an HDMI eARC port, but I reckon since most people will be using the screen in a fully portable mode – which is exactly how it should be used – a physical connection will prove cumbersome.

The StanByMe 2 also benefits from LG’s webOS operating system. At the time of writing, it uses webOS 24, but the company has confirmed the TV will receive the webOS 25 update, and it is guaranteed to receive software updates for five years, up to webOS 28 (LG generally launches a new version each year).

There’s nothing quite like the LG StanByMe 2 out there and that makes it tricky to score for an objective review like this. There are similar screens on the horizon from the likes of Samsung and its Movingstyle model, but that’s yet to see a wide release – we’ve not had a chance to review it yet here at TechRadar, and I’ve not personally seen it either.

As a lifestyle screen that offers a new way to consume content, the StanByMe 2 excels, but tech as unique as this demands a high price and that’s my biggest issue. As much as I would love to give it a full five stars, I have to dock points purely because of how much LG is asking for it – especially when you compare its cost to traditional TVs.

(Image credit: Future / Max Langridge)

LG StanByMe 2 review: Price & availability

• $1,299 / £1,399.99 / AU$2,199
• Staggered global rollout: US – July 2025, UK – August 2025, Australia – September 2025

The LG StanByME 2 was announced at CES in January 2025 and was made available to buy in the US from July 2025, followed by a UK launch in August and eventually making its way to Australia in September 2025.

In the US, it’s priced at $1,299, which is higher than the RRP of the entry-level LG B5 OLED TV in 48-inch guise ($899.99) and just below the larger 55-inch variant ($1,499.99).

Meanwhile, in the UK, it’s £1,399.99, although at the time of writing this also includes an XT7S Bluetooth speaker that can attach to the TV stand and boost audio performance. For the same money, you can get a 55-inch LG C5 OLED – which we currently rate as the best TV overall.

In Australia, the StanByMe 2 has a list price of AU$2,199 – about as much as the far larger 75-inch TCL C7K will set you back Down Under. The TCL features a much more capable Mini-LED backlit panel, and as our TCL C7K review proves, it impressed us with a “dynamic, bright and surprisingly contrast rich picture”.

The StanByMe 2 can be on the receiving end of discounts, although these are usually reserved for the major sales events such as Black Friday. In fact, during the Black Friday sales in 2025, I spotted it for $999.99 / £1,199 / AU$1,699. These prices are much more palatable, although it’s still possible to find a more capable TV for similar money.

LG StanByMe 2 review: Specs

Screen type:	QHD IPS LCD panel
Refresh rate:	60Hz
HDR support:	Dolby Vision, HDR10, HLG
Audio support:	Dolby Atmos
Smart TV	webOS 24 (customized version)
HDMI:	1x HDMI eARC
Battery life:	Up to 4 hours

LG StanByMe 2 review: Features

• QHD IPS LCD panel with extensive HDR support
• Touchscreen for greater interaction
• Built-in battery with up to 4 hours battery life

As I’ve already mentioned, the LG StanByMe 2 is a compact 27-inch TV that uses an edge-lit IPS LCD panel with quad HD resolution (2,560 x 1,440p) and a refresh rate of 60Hz. So, not a ‘proper’ 4K screen, but it does have comprehensive HDR support in the form of Dolby Vision, HDR10 and HLG HDR formats.

Unlike the TVs we’re all familiar with today, the StanByMe 2’s screen has a matte coating that slightly reduces image quality, but it helps minimize reflections and prevent fingerprints when you’re supporting it for rolling to a different room. The matte coating isn’t the same, or similar, as the anti-glare panel of the Samsung S95F, as that screen is actually able to absorb light and dissipate over the display’s surface. I would liken it more to a PC monitor.

Where the StanByMe 2 also differs from conventional TVs is that it’s touchscreen-enabled. Thanks to this functionality, you’re able to use your fingers to interact with it, whether it be loading up the built-in sketchpad application to doodle or jot down notes, or playing games that come pre-installed (more games are available via the LG app store). I can’t see many people using it to create shopping lists, say, but it can be hung on a wall-mounted hook (included) allowing you to easily see reminders for each day.

(Image credit: Future / Max Langridge)

The touchscreen functionality also means you’re able to swipe between home screen menus and press on any app – YouTube, Netflix, et al – to open it, but that’s all. You can’t use this functionality when you’re within these streaming apps. You can’t press the screen to play or pause content, for example. When using streaming apps, you’ll need to use the remote control or the on-screen controls that appear in the bottom right corner when you touch the display.

Where the StanByMe 2 shines is what LG intended it for – a portable screen that can be used where a larger display would be handy. For example, I used it in the kitchen, where I loaded up a YouTube video telling me how to make the perfect mashed potato. I was able to position the StanByMe 2 over my kitchen island and follow along with ease. Watching the same video on a smartphone screen just wasn’t as effective, and I don’t own a tablet or a smart display. Of course, given the StanByMe 2’s price, it would be cheaper to opt for the smaller devices, but the convenience of having the larger display is something I appreciated.

I also positioned the TV over my dining table, where I sit when I work from home. Again, I found myself streaming YouTube videos to play in the background and would occasionally glance up at the screen. Without the TV, I would either have the same video playing on a separate tab on my computer. I also mirrored the screen of my MacBook Pro thanks to the StanByMe’s AirPlay support, allowing me to use it as a second display. These weren’t groundbreaking changes to my normal routine by any stretch, but I found having the StanByMe 2 on, er, standby, incredibly useful.

(Image credit: Future / Max Langridge)

When it’s connected to the rollable stand, you can plug a mains power cable into its base to use the StanBy Me 2 like a regular TV, but if you remove the power cable, or remove the TV from its stand, the internal battery takes over and you’ll get no more than 4 hours of playtime on a single charge.

However, you’ll need to be mindful that this is only when it's in Eco power mode, which isn’t on by default. If you use the screen in a different mode, then battery life takes a major hit. I turned it on after (unknowingly) leaving it on standby for three days to find the battery had dropped from 100% to 34%. I then watched a 30-minute YouTube video, and the battery level dropped to 9%.

You can power down the TV completely by long pressing on the power button on the left side of the screen. Recharging the battery to full takes around 3 hours in standby mode and 3.5 hours when the TV is in use.

• Features score: 4 / 5

LG StanByMe 2 review: Picture quality

• Good color reproduction
• Decent blacks considering backlight constraints
• No Filmmaker Mode

LG’s QNED81 from 2023 impressed me with its color reproduction despite using an edge-lit system, and the StanByMe 2 – which also uses an edge-lit panel – shows similar strengths. Images are vibrant and punchy, and with brighter, more colorful content – such as A Minecraft Movie – the screen delivers a natural-looking image with convincing real-world textures. Fireball explosions appear as paler oranges or yellows, it must be said, rather than intense reds you’d get on a higher-contrast display, but overall it’s a pleasing presentation.

The StanByMe 2 also handled a 4K HDR demo reel from LG’s YouTube channel better than expected. Blacks looked reasonably convincing and central highlights remained clear and detailed. Compared side-by-side with LG’s flagship G5 OLED , there was a clear difference in quality. The G5 was vastly superior, but that’s to be expected given the vast difference in panel technologies.

(Image credit: Future / Max Langridge)

In dimly lit environments, the StanByMe 2’s brightness performance was more than adequate. LG doesn’t quote a brightness figure and I wasn’t able to measure it myself, but with the panel brightness set appropriately – 100 in most cases – I had no issues seeing detail or maintaining color impact. For darker content, I found ‘isf Expert Dark’ to be the best-performing picture preset. The ‘isf Expert Bright’ over-exposed the image too much for my liking, and Cinema introduced too much of a yellow tinge.

That said, the StanByMe 2’s picture performance is ultimately held back by the limitations of the QHD panel, edge-light system and matte coating. The combination of these means it struggles to render contrast with absolute precision. Larger areas of the panel can light up when they ideally shouldn’t, because the edge-lit system projects light over a greater portion of the screen.

TVs with more advanced backlight systems – such as OLED TVs from LG, Samsung and Sony, or even Mini-LED TVs from more budget-focused brands such as TCL and Hisense – can be more precise with which areas of the image are lit and which aren’t, resulting in more cinematic-looking picture.

(Image credit: Future / Max Langridge)

In the case of the StanByMe 2, then, images can look flat in comparison, especially in HDR scenes that require competent backlighting systems to look their best.

Dynamic Tone Mapping Pro is an included feature on the StanByMe 2, which theoretically analyzes each frame to optimize brightness and contrast, but in practice its impact is modest. With the backlight effectively ‘on’ most of the time due to the panel type, this feature can only do so much.

These limitations are apparent with darker content. In The Batman’s Penguin car chase scene on HBO Max, black weren't inky, but more a very dark charcoal grey. To get the best image, I had to push the panel brightness to 100. The TV also lacks a Filmmaker Mode and the Dolby Vision Filmmaker modes that appear on LG’s higher-end QNED and OLED TV models.

Because of these inherent constraints, the StanByMe 2 is best viewed in dimmer environments and isn’t well suited to being your primary screen for movie watching.

• Picture quality score: 3.5 / 5

LG StanByMe 2 review: Sound quality

• Dolby Atmos support
• AI Sound mode with virtual 9.1.2 up-mix
• Fine for most tasks, but not intense movie watching

As with picture quality, the StanByMe 2’s audio performance isn’t anything extraordinary. But again, this isn’t a TV designed to be your main entertainment system. Instead, it’s designed to be a supplementary screen in your home.

The good news is that the built-in speakers can be reasonably loud and dialogue is clear. What it lacks is low-end presence – especially in movie scenes with explosions. The AI Sound Pro mode is the best option in my opinion, as it helps create a more expansive soundstage.

(Image credit: Future / Max Langridge)

You do have options to improve the audio output, either by physically connecting to a soundbar or other external audio device via HDMI eARC, or wirelessly to a Bluetooth speaker or pair of active speakers. I do think a physical connection will be cumbersome for most users, particularly if the TV is connected to its stand. That said, you could always hang it on the included hook and have a cable trailing down to a soundbar on a unit beneath.

I had a pair of KEF Coda W speakers on hand and, once connected to the LG, the difference was dramatic. I also paired a Beats Pill and even that portable Bluetooth speaker delivered noticeably better sound than the TV’s built-in speakers.

What this experiment really highlighted for me was how the LG StanByMe 2 gives you options, both in terms of how you use it to consume content and how you can get sound out of it. You don’t get such versatility from traditional TVs and this really is where the StanByMe 2 genuinely stands out.

• Sound quality score: 4 / 5

LG StanByMe 2 review: Design

• Multiple viewing modes
• Good selection of connections
• Useful design touches

(Image credit: Future / Max Langridge)

As I’ve alluded to already in this review, the StanByMe 2 isn’t designed to replace a traditional TV. Its headline feature is its ability to be used in a variety of viewing positions. The main position – the one that’s likely to be used the most – sees it being attached to a rollable stand. The first-generation StanByMe was permanently attached to its stand, so it’s great that the new model can detach, expanding its usability.

The stand is relatively heavy at 10.9kg / 24 lbs and its wheels are silent when rolling around, but they’re definitely smoother on hard floors compared to carpet.

The stand has two sections: a fixed-height main pole and an adjustable arm that can raise the screen up and down a few inches. The base plays host to a power point, which is used to charge the TV’s built-in battery.

When you want to detach the TV from the stand to use in tabletop mode, you need to press a large central button on the rear panel of the TV and pull it forward. Because the TV itself is quite light at 4.3kg / 9.5lbs, it’s easy enough to hold onto the screen with one hand, and press the button with the other. And thanks to its lightweight build, you shouldn’t have too much of an issue carrying it around.

To use the StanByMe 2 in tabletop mode, you need to clip in a supplied kickstand on the rear of the screen, and slot the folio cover into two holes along the bottom edge. The folio cover then folds around to the back of the screen and slots into the kickstand.

The final viewing mode is hanging it up on a hook against a wall. The hook needs to be drilled into the wall, so it wasn’t something I could test for this review. I own my home, but with my review sample only being on loan, I didn’t want a hole left in my wall when it was returned. Once the hook is mounted, you can attach a strap to the StanByMe 2 to hang it. You can hang it in either portrait or landscape orientation, and besides watching TV, you could activate one of the many wallpapers or screensavers, which include weather and calendar information, a ‘now playing’ screen when playing music, or a digital photo album.

(Image credit: Future / Max Langridge)

LG’s listing information for the TV also shows a person hanging this strap over their shoulder with the TV in landscape mode – similar to a messenger bag. But who wants or needs to hang a 27-inch TV over their shoulder?

A remote control is supplied with the StanByMe 2, which I expected to be similar to the one used by LG’s other TVs, but there are a few design changes.

Perhaps the coolest function is the fact that the remote can magnetically attach to the top edge of the TV (when it’s in landscape mode) or to the folio cover when it’s in tabletop mode, so you don’t have to worry about losing it.

The biggest difference between this remote and the one you’d get with a regular LG TV is that it loses the Magic Remote functionality, i.e. you can’t use it to move a pointer around the screen as you can on an LG TV. If you have an LG Magic Remote at home, or you purchase one separately, then you can benefit from the pointer function as it’s compatible with the StanByMe 2.

There’s a small selection of connections on the StanByMe 2, including an HDMI eARC for connecting to a soundbar to boost audio output, or to a laptop or PC so the TV can moonlight as a second screen. There’s also a USB-C port on the side for connecting external devices and power banks, and another USB-C port on the top edge for connecting a webcam.

LG says the USB-C port can also charge the screen TV when it’s not connected to the stand, but I struggled to get this working, even when using my MacBook Pro’s power brick. The user manual states you need a charger capable of either 65W (20V/3.25A) or100W (20V/5A) output, a criteria my MacBook’s charger satisfies.

• Design score: 4.5 / 5

LG StanByMe 2 review: Smart TV & menus

• Customized version of webOS
• Five years of upgrades promised
• No on-screen adverts!

(Image credit: Future / Max Langridge)

The LG StanByMe 2 uses a customized version of the company’s well-received webOS operating system. If you were to look at the version used here side-by-side with a regular LG TV, you’ll easily spot the differences.

Two rows of apps dominate a large portion of the StanByMe 2’s screen, as opposed to a single line on the company’s regular TVs, with the familiar ‘cards’ for dedicated hubs – Home Office, Game, Music – just above. What’s pleasing to see in this instance is that there aren’t any on-screen ads or promotions in sight. The regular version of webOS will display on-screen adverts and even screensaver ads (unless you turn them off), so their complete absence is a welcome change.

From the home screen, if you move left – either by pressing the left button on the remote’s d-pad, or swiping – you’re met with a screen displaying calendar and weather information, quick access to various wallpapers and a sketch pad.

(Image credit: Future / Max Langridge)

The TV also supports Google Cast and Apple AirPlay, so you can beam content from your phone or laptop directly to it. I used the Screen Mirror function to extend my MacBook’s display and use the LG as a second monitor. It was a seamless process and even moving browser windows over to the LG worked as smoothly as if I had a dedicated monitor physically connected to my laptop.

Setting adjustments are as slick as I’ve come to expect from LG, having used the company’s G-series OLED over the past three generations. Pressing the settings button on the remote brings up a Quick Menu that appears as a transparent overlay in the top left of the screen, which allows you to quickly change picture, sound and other settings.

• Smart TV and menu score: 5 / 5

LG StanByMe 2 review: Value

• Pricey compared to larger, more conventional TVs
• Other rollable TVs exist, which can be found for less
• Ultimately not fantastic overall value

With a price tag of $1,299 / £1399.99 / AU$2,199, the LG StanByMe 2 is undoubtedly expensive compared to traditional TVs, which can cost much less, come in bigger screen sizes and benefit from more capable displays.

Plus, a quick search online reveals similar rollable TVs in markets including the US, UK and Australia. We've not reviewed them here at TechRadar, so can't comment on their performance, but the fact remains the LG StanByMe 2 isn't the only one of its kind.

If you can find it at a discounted price, it’s a lot easier to recommend, because what the TV has going for its uniqueness. LG classes the StanByMe 2 as a ‘lifestyle TV’ and I couldn’t agree more. It’s not going to replace a main TV in your home, but is designed to be an addition that can make your daily routine more convenient.

There’s certainly a case to be made for its existence then, but you’ll need to seriously consider whether it’s worth the premium price tag.

• Value score 2.5 / 5

(Image credit: Future / Max Langridge)

Should I buy the LG StanByMe 2?

LG StanByMe 2 score card

Attributes	Notes	Rating
Features	It lives up to its lifestyle credentials with a variety of viewing modes, connections and interactivity options.	4/5
Picture quality	It’s not going to replace a conventional TV, but it does more than enough to meet the brief of being a lifestyle screen	3.5/5
Sound quality	Clear dialogue and expansive sound, with the option to improve it via various methods	4/5
Design	A range of viewing modes and some useful physical connection options make the StanByMe 2 one of the most versatile screens out there.	4/5
Smart TV and menus	LG’s webOS platform is always a joy to use and the customized version here continues that trend.	5/5
Value	A fun, cool TV that’s supremely versatile, but there’s no denying it’s expensive compared to traditional screens.	2.5/5

Buy it if...

You want a versatile TV

The StanByMe 2 can be used in a variety of viewing modes and is easy to move between rooms in your home.

You want a smaller TV

At 27 inches, the StanByMe 2 should be easy to accommodate in most spaces, plus it can be taken away with you in the car.

Don't buy it if...

You want the best possible picture quality

The limitations of the LCD panel mean the StanByMe 2 simply can’t deliver the absolute best picture quality.

LG StanByMe 2 review: Also consider

LG B5 (48-inch)

I've already mentioned the LG B5 in this review for several reasons. Most notably, it offers a dramatic leap in picture quality thanks to its OLED panel, and in 48-inch guise, it's often more affordable than the StanByMe 2.

Read our full LG B5 reviewView Deal

Sony A90K (42-inch)

It's quite tricky to find a 'small' screen TV these days, but the Sony A90K continues to be sold in a 42-inch size. It was released in 2022, yet the Japanese brand hasn't felt the need to update it. We've not given it the full in-depth review treatment, but some hands-on time revealed it to be a talented performer. We just wish it wasn't so expensive!View Deal

How I tested the LG StanByMe 2

• Used at home and tried most viewing modes
• Watched a range of content from various streaming services
• Let it run on battery power to test stamina

I tested the LG StanByMe 2 over a period of about 3 weeks at home. I used most of its viewing modes, including attaching it to its stand and using the folio cover. I wasn't able to test its hanging mode, as I wasn't prepared to drill a hole into my wall.

I watched a variety of dark and bright content from a number of streaming services, including The Batman and A Minecraft Movie on HBO Max. I also tested its ability to connect to external audio devices via Bluetooth to improve sound output.

• First reviewed: December 2025
• Read TechRadar's reviews guarantee

Read More

Boulies OP180 office chair review: Surprisingly comfortable and built for the workplace

Boulies OP180: 30-second review

The Boulies OP180 is, like all the OP-designated line, designed for workspaces. It’s perfectly comfortable for home office use, and its compact design without headrest means it won’t dominate the room. But, to my eye, it looks, feels, and performs like a chair for actual offices. One look at it and you can picture a series of OP180’s parked in cubicles or nested around a table in a conference room.

The backrest is of classic mesh that feels very breathable when used for long hours. And the plush cushioned seat surprised me. Alright, it’s not especially breathable, but the thick foam is incredibly comfortable and supportive. I used it for eight-hour work days for weeks, and it feels like the happy medium between the firmness of the Boulies EP200’s mesh seat and the ultra-soft foam seat of the Boulies OP300. If you’ve struggled with finding the right balance, I’d recommend checking out the OP180.

There’s good adjustability here - seat height and depth, backrest height, lockable recline, and tilt are all present and correct. The chair also features 3D armrests.

And that’s where I discovered one of my only real problems with this chair. Yes, they move smoothly backwards, forwards, up and down, and side to side. But there’s no horizontal locking system, unlike with my favorite of the Boulies range, the EP200. Now, this didn’t prove an issue when sitting down for work, but lean on the armrest to rise from the chair and it will slide out of place.

It’s also lacking full lumbar support, instead opting for a contoured S-shaped backrest. Thanks to the tension of the mesh backrest, I can’t say I missed the lumbar support - I felt supported at all times, and for the OP line, it’s perhaps expected. But, I appreciate some users will want that extra lower back support.

Those issues aside, I should mention the price - it’s selling for $290 / £240. It’s one of the best office chairs for the workplace, although I'd prefer a longer warranty length than the two years offered by Boulies. For home offices, I’d still recommend a Boulies chair like the high-back EP200, which still offers superb value for money and a firmer, more breathable experience.

Boulies OP180: Price & availability

The Boulies OP180 is widely available, selling for $290 at Boulies.com and £240 at Boulies.co.uk. However, at the time of review, it’s discounted down to $240 / £170.

That UK price is also reflected over at Amazon.co.uk. I’d suggest that cost is about right for an office chair chiefly designed to be bought in bulk for HQ.

Boulies OP180: Specs

Price (RRP)	$290 / £240
Seat height	17.3 - 20.1in / 44 - 51cm
Seat depth	17.9 - 19.7in / 45.5 - 50cm
Seat width	19.5in / 49.5cm
Backrest height	22.0 - 24.8in / 56 - 63cm
Recommended user height	5’1” - 6’3”
Max weight load	352lb / 160kg
Material	Mesh and foam
Warranty	2 years

Boulies OP180: Design

Image 1 of 3

(Image credit: Boulies // Future)

Image 2 of 3

(Image credit: Boulies // Future)

Image 3 of 3

(Image credit: Boulies // Future)

The OP180 is a classically designed, compact office chair. Only available in black, it’ll fit right into any professional workspace without looking out of place.

To the rear, there’s a Y-frame support for the backrest. And I like the armrest design, thrusting forward like an Enterprise starship. Sure, that’s hardly a game-changer styling, but it does give the OP180 a more modern feel.

In truth, there’s not much to like or dislike about the design of this chair. It looks exactly as you’d expect - and that’s precisely the point of an office chair like the Boulies OP180. It’s not trying to be the Branch Verve or the Herman Miller Embody, with striking silhouettes and bold color choices. It’s a traditional office chair for professionals.

Boulies OP180: Assembly

Boulies claims it’ll take you five minutes to build the OP180. I wouldn’t say it’s quite that quick - it took me a little under ten minutes after misaligning the screws for the armrest first time around (pro-tip: place the three in loosely first, then tighten each).

Everything you need is in the box, including the hex key, which is the only tool needed to piece it all together. Instructions are clear, with each step illustrated with an easy-to-understand image and accompanying text.

Inside the manual, it also clearly lays out what each under-seat lever does and how to use them to adjust the fit once seated.

Overall, I found assembly to be ridiculously easy. It’s probably the fastest I’ve ever built a chair, and if you’re constructing a lot of these for an office space then yes, you probably could get it down to about five minutes. Six screws later, and after slotting in the spokes of the seat base, the casters, and the backrest, I was done.

Boulies OP180: Comfort & adjustability

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(Image credit: Boulies // Future)

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(Image credit: Boulies // Future)

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(Image credit: Boulies // Future)

I wasn’t expecting the OP180 to be as comfortable as it is. That lack of true lumbar support, the high but technically mid-back design made me fear that it would be a literal pain when used for long hours.

I don’t mind admitting I was wrong.

First, I found the plush cushioned seat to be exceptionally accommodating. It’s neither too firm, nor too soft, providing just the right amount of support and softness. For anyone who’s struggled to find a chair with the right balance, this one is absolutely worth exploring.

I’m not typically a fan of foam cushioning on office chairs, as they tend to retain too much heat compared to mesh seats. And while it’s not completely breathable, I didn’t find it got uncomfortably hot when sitting down for those eight-hour days.

While adjustable lumbar support would’ve been nice, it didn’t disrupt the experience when used all-day for work. The contoured, high-tension mesh backrest provided firm lower back support during prolonged use.

Adjustability controls are exceptional. Using the under-seat levers, you can alter the seat height and seat depth, and a quick pull (or push) on the backrest will adjust its height. That gives it real versatility for the workplace, where a range of users might be using these chairs.

Alongside this is the ability to tilt and recline the chair - and yes, unlike some office chairs, both can be firmly locked into place. I appreciated this, but if you prefer a model that keeps the recliner unlocked at all times, you’ll want to look elsewhere.

The chair also features 3D armrests, which can move horizontally, vertically, and swivel in and out with a satisfying click of each turn. Beneath each armrest, you’ll find a trigger - squeeze that and you’re able to raise or lower them to the right height.

My only wish here is that they also acted as a lock to prevent the armrests sliding backwards and forwards. It didn’t alter my seated experience. However, more than once the armrests slipped when too much weight was applied. It feels like an oversight that could be easily remedied in future iterations.

Boulies OP180: Final verdict

(Image credit: Boulies // Future)

The OP180 neatly fits into Boulies’ Office Professional line of chairs. It’s not a showy chair. It’s a classically styled and functional model that’s very well-suited to offices, or even the home office if you prefer a low-profile chair over executive high-back models.

The backrest is breathable, comfortable, and more supportive than you might imagine considering it doesn’t have any true lumbar support. But the foam cushioned seat was the biggest surprise for me - it feels like it’s been engineered to perfectly balance out both the firmness of your standard mesh seats and the soft, almost saggy cushioned seats of other chairs I’ve used.

You have some great control over comfort due to the excellent adjustability controls. Because of this, it’s an ideal pick if multiple people will be using the chair, which, as a fully fledged office chair, is the OP180’s ultimate goal. My only real issue is the lack of lockable armrests - they have a tendency to slide forward when too much force is applied.

Overall, though, I found it a comfortable and supportive choice at a price that’ll suit office managers buying in bulk.

Should I buy theBoulies OP180 office chair?

Buy it if…

✅ You’re kitting out a workplace
With high adjustability, good comfort, and a reasonable price, it is - as intended - a solid pick for offices where more than one person may be using it.

✅ You want a compact office chair
As a mid-back model, the OP180 features a low-profile design that won’t dominate the office or home office.

Don’t buy it if…

❌ You like armrests that lock into place
My main problem with the OP180 is that the 3D armrests have a tendency to slip back and forth when you rise from the chair.

❌ You suffer lower back pain
With no true lumbar support, this isn’t the office chair of choice for those who need additional support for the lower back.

For more workspace essentials, we tested the best standing desks for the home and office.

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I’m a professional photographer and the Manfrotto One is the greatest tripod I’ve ever used

Manfrotto One hybrid tripod: two-minute review

As soon as you pull the Manfrotto One out of its box, you can tell this is a tripod unlike any other. I’ve used many professional tripods over the years, such as the 3 Legged Thing Punks Brian 2.0 and Gitzo tripod Traveler series 1, but this feels less like a support for your camera gear and more like the center point of an entire system. An extension of the photo kit itself.

If you plan to use the Manfrotto One to its maximum advantage, then you’re likely a serious content creator, working professionally and on demanding assignments. And for such people, everything about the legs is geared towards ultimate stability.

The weight alone will reveal it isn’t made with an entry-level mirrorless camera in mind, rather professional camera bodies and motion-centric gear, amongst the best full-frame cameras and best cameras for video in 2025. I used a range of models with the tripod, from an older pro-level mirrorless setup, via a Leica Rangefinder system, to a medium-format camera. In each case, the legs felt perfectly balanced.

The extra mass of the center column pulls the center of gravity back to the mid axis of the legs, so that even when using a bulky f/2.8 telephoto zoom lens, the setup never felt like it might topple forward, something I always have to be conscious of when using other Manfrotto aluminium and Gitzo carbon fiber travel tripods.

The Manfrotto ONE feels ideally balanced when using both heavy and lightweight camera systems. When using the former, it can easily support the weight, while it won't be easily blown over with the latter (Image credit: Future/ Peter Fenech)

The 500X Fluid Head uses the 501PL sliding plate on which to mount the host camera. This can be a little fiddly on small camera bodies (Image credit: Future/ Peter Fenech)

Build quality is of the highest grade. There’s a solidity that is almost intimidating, and I wouldn’t advise leaving the Manfrotto One unsecured on the back seat of your car, for fear of the consequences should you firmly apply the brakes. Both aluminum and carbon fiber variants are available, although I only had time with the former.

During my tests the tripod was exposed to a wide range of weather conditions, from the dampness of a peat bog to the harsh salinity of the Tyne and Wear coastline. I was able to quickly and easily wipe the feet and legs clean with no sign of unexpected water or debris ingress. The same ruggedness applies to every knurled screw, flap, and locking mechanism.

The aluminium version of the tripod was used during this review. The legs were easy to keep clean and felt hard-wearing during use in wet and salty conditions (Image credit: Future/ Peter Fenech)

The 501PL sliding plate. As is visible in the image, if the plate is attached to a smaller camera in the recommended direction, it can be tricky to operate the lens controls (Image credit: Future/ Peter Fenech)

Unless you regularly inflict your tripods to 30m vertical drops, with the proper maintenance I can see the Manfrotto One outliving many of its owners.

Earlier, I mentioned the weight and while this does provide stability, it might prove challenging if you have to carry the tripod far, especially if you have the optionally bundled 500X Fluid Head attached. This alone weighs 1.22 kg, so it isn’t a system for the average holiday shoot. In fact, it may even be a challenge to transport it on-location along with a full system of camera bodies and lenses, if you work alone. I often do and found it necessary to set up for my shoot in two stages; firstly, I put up the legs and attached the head and handle, then I returned to the car to retrieve my camera.

However, if this sounds like a major deal-breaker, it’s important to remember that Manfrotto has designed this product to cater for both photographers and videographers, removing the need to carry two separate tripods for each function. This effectively streamlines the modern content creator’s gear bag and brilliantly plugs a gap in the market.

To that end, the Manfrotto One has a few exotic handling features. Starting with the Fast Leg Technology, the traditional clip or twist locks for leg extension are replaced with a single vertically flipping lever lock per leg. With one action, all three leg sections are unlocked so you can simply lift the head to the desired height and close the levers to fix the legs in place. This makes it exceptionally quick to raise and lower the head, in those moments where individually unlocking each section would cost you successful shots.

The downside is that you need to be able to support the weight of the tripod until you safely close each clip. Ideally, I’d recommend setting up the legs before attaching the head, which is made easy with the next clever innovation.

The XCHANGE quick-release system allows the 500X Fluid Head to be mounted directly onto the XCHANGE base of the center column, a bayonet-like fitting comprising multiple spring-loaded attachment points. To remove the head all the user has to do is rotate the locking ring anti-clockwise. This works almost instantaneously and is by far the most rapid head exchange system I’ve seen in a tripod. You’ll need an XCHANGE-ready head, of which there are not too many examples currently available, or you can adapt another using an XCHANGE base and plate adaptor setup.

The XTEND Fast Leg system uses a single lever clip lock to extend all leg sections at once, speeding up the process of raising and lowering the head (Image credit: Future/ Peter Fenech)

The XCHANGE system allows almost instantaneous swapping of heads, rather than having to screw and unscrew a more traditional 3/8" thread, although one is available. (Image credit: Future/ Peter Fenech)

While the 500X Fluid Head can be mounted directly on the XCHANGE base, an adaptor is required to mix and match with other heads and tripod models (Image credit: Future/ Peter Fenech)

The Q90 and modular column system is not new to the Manfrotto range – I was a fan of the design on my now ancient 190XPROB – but it’s great to see it put to use in a professional tripod of this level. By pressing the base of the center column the user can rotate it by 90 degrees, quickly positioning the camera for flat-lay shots, vertical-orientation panoramas, and dynamic video transitions.

Since the movement is rotational, you’ll still have to watch out for parallax error between panorama frames (where the relative distance between the subject and background changes between segments, introducing stitching challenges), but it’s helpful when speed is of paramount importance. Videographers, meanwhile, will enjoy spinning the camera around a fixed point to introduce movement to their footage. The best option for regular pano creators is to buy an L-bracket to minimize parallax further, or to use a shift lens.

(Image credit: Future/ Peter Fenech)

The levelling column is a huge feature for the video-shooting audience. It’s mounted on a ball fixture, so that by flipping up a clamp that’s handily engraved with ‘LVL’, the whole assembly can be pivoted until the head is perfectly aligned with the horizon. On other, larger and heavier video tripods, the levelling process is often a multi-step one which is inevitably slower.

As a frequent landscape and macro photographer, probably my favourite feature is the split center column design, the lower section of which can be removed, again with a single action. This enables easy and rapid ground-level work, without having to laboriously screw off the bottom of the column and reattach it when you suddenly need to use the tripod at its maximum height.

(Image credit: Future/ Peter Fenech)

Manfrotto One hybrid tripod: key specs

Maximum height:	181cm / 71.3 inches
Closed height:	81cm / 31.9 inches
Minimum height (low mode):	30.8cm / 12.1 inches
Materials:	Aluminium/ carbon fiber
Max payload:	33.1 lb / 15 kg (15.4 lbs / 7 kg in Q90 mode)
Leg sections:	Three
Head compatibility:	Manfrotto XCHANGE
Attachment points:	1x accessory thread, 1x weight hook
Weight:	4.77kg / 10.52lb (aluminium), 4.37kg / 9.63lb (carbon fiber)

Manfrotto One hybrid tripod price and availability

The Manfrotto One was released in June 2025 and is often bundled with the 500X Fluid Head, although it can be purchased as a legs-only option. The aluminium legs cost $499.99 / £375 / AU$900, while the 500X Fluid Head kit costs $679.99 / £519 / AU$ 1,200.

The Carbon Fiber model is also available in the above kits and costs $719.99 / £539 / AU$1,250 for the legs only, and $879.99 / £669 / AU$1,500 with the 500X head.

This represents a good price to buy the 500X Fluid Head, which costs approximately $219.99 / £164 / AU$389.95 alone. Meanwhile, the Manfrotto XCHANGE accessory can be purchased by itself for around $54.99 / £39 / AU$80, and the XCHANGE plate for $21.99 / £29 (AU$ price TBC), allowing other heads to be used with the Manfrotto One legs and vice versa.

Manfrotto One hybrid tripod: Also consider

Peak Design Pro Tripod

Peak Design's travel tripods have gained almost legendary status, and the Pro Tripod range employs the best elements of that series. A great build quality is combined with a portable, lightweight design across three variants. Furthermore, a unique non-tubular leg cross-section allows convenient storage when not in use, making the tripod easy to carry. It's a fairly expensive option, but it is significantly less heavy than both the carbon fiber and aluminium versions on the Manfrotto ONE.

Read our Peak Design Pro Tripod

Sachtler Ace M Mk II

If you shoot video almost exclusively, you may benefit more from a completely motion-content dedicated tripod. This one from Sachtler is currently the best video tripod available, for its balance of price, features, and ease of use. It's extremely stable and well-constructed, with a workable maximum payload of 4kg – ideal for mirrorless and compact video camera users.

My Sachtler Ace M Mk II review is currently in progress

Should I buy the Manfrotto One hybrid tripod?

(Image credit: Future/Peter Fenech)

Buy it if...

You shoot a variety of photo and video work
As suggested by the name, the Manfrotto One is designed specifically for creators who shoot both types of content. Where, before, you might have had to carry multiple tripods, now you can streamline your gear to a single camera support option.

You value speed of operation
The XTEND leg system and Q90 center column function make changing tripod configurations as rapid as possible. Manfrotto has introduced some seriously clever features here, so if you regularly worry about missing shots because your tripod wasn't set up optimally, the Manfrotto One is for you.

Don't buy it if...

You’re a beginner
For the casual shooter or novice creative, there may be too many features here for you to get to grips with. This is a professional tool meant for high-end assignments, and the many controls and functions take some getting used to.

You only occasionally shoot video
...and you're on a tight budget. It's worth the investment if you combine still and motion media, but otherwise you're not going to get the most from the legs if you mainly shoot photos. It's not cheap and it's quite heavy, so there are more easily manageable options.

How I tested the Manfrotto One hybrid tripod

• I spent around a month with the aluminum version of the Manfrotto One
• I tested its operational speed and efficiency, ease of use, build quality and stability
• I tried the XTEND system and 500X head, and mounted various mirrorless cameras and lenses to it, including a bulky f/2.8 zoom

I spent around a month with the Manfrotto ONE, so I had a good amount of time to use it on a variety of shoots, in a mix of conditions. A local heathland is a regular haunt of mine, and this commonly leaves my tripod feet caked in peat-heavy mud. It's also exposed to the elements. The tripod certainly got wet on a few occasions. However, moisture and dirt were readily wiped off, and the feet showed no sign of excessive scratching after use.

The aluminium version I was using did get cold to the touch (a frequent challenge in winter operations), but the Manfrotto One's hard-wearing plastic components made carrying it more comfortable than directly touching the metal.

Shooting in woodland is always tricky for levelling a tripod head, but the XTEND system and ball-mounted center column made controlling the center of gravity straightforward. Using a range of camera systems, at no point was I concerned that it might topple when set up on a hillside.

Meanwhile, after a coastal shoot, I didn't find the legs prone to seizing, which can happen after exposure to salty air. The 500X head, along with the Q90 rotatable column, made switching to portrait orientation for panoramic photography quick and maintained the balance of the system well.

I shot a variety of exposure durations while waves washed over the feet to see how many vibrations were transferred to the head-mounted camera, and the Manfotto One performed well. At both closed and maximum leg heights, there was no more loss of critical image sharpness than one might expect, although I'd quite like to compare the aluminium and carbon fiber versions for this.

First reviewed December 2025

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Creatio CRM Review 2025

Creatio is a comprehensive CRM platform that aims to streamline sales, marketing, and service processes for businesses of all sizes. I found its no-code approach to workflow automation and customization really interesting.

The platform is divided into three main modules — Sales, Marketing, and Service — each offering a robust set of features. From lead management and opportunity tracking to multichannel marketing campaigns to customer support ticketing, Creatio covers a wide range of CRM functionalities. However, this breadth of capabilities comes at a price, both in terms of cost and complexity.

Its extensive customization options, while beneficial, can be overwhelming for those seeking a more straightforward CRM. But if you like the idea of building your own no-code CRM by rigorously customizing different aspects of the application, all without resorting to actual coding, this might be a great option.

Creatio CRM core capabilities

As a CRM, Creatio allows users to create detailed customer profiles with a 360-degree view of each contact, including communication history, associated deals, and relevant documents. But the real standout here is its no-code nature, which allows users to customize the platform and create new applications without extensive programming knowledge.

Creatio consolidates information from various touchpoints, providing a complete picture of customer interactions across sales, marketing, and service departments. The platform provides tools to capture leads from multiple sources and guide them through a customizable sales funnel.

I appreciated the ability to set up automated lead scoring rules, which help prioritize prospects based on their likelihood to convert. As leads progress, Creatio allows sales teams to track potential deals, associate them with specific accounts, and manage all related activities in one place.

Creatio CRM uses your historical data and current pipeline information to generate accurate sales predictions. I was impressed by the AI-driven forecasting capabilities, which analyze patterns and trends to provide more precise estimates.

It also offers a wide range of pre-built reports and dashboards covering various aspects of sales, marketing, and customer service performance. That said, where the platform really shines is the drag-and-drop report builder, which lets you customize reports to an uncanny degree.

Apart from the no-code CRM, Creatio has a few things that make it stand apart from most competitors. It offers tools for creating and managing multi-channel marketing campaigns, case management tools, a knowledge base for self-service, and even a visual process designer to automate complex business processes across departments.

There’s a wide range of pre-built connectors to integrate with popular third-party applications, plus custom integration support through an open API.

For employees in the field, Creatio’s mobile app provides access to key CRM functions on-the-go, including contact management, opportunity tracking, and activity logging. I appreciated the offline mode, which allows users to continue working even without an internet connection, with data syncing once connectivity is restored.

How easy is Creatio to use?

(Image credit: Creatio)

Creatio CRM combines powerful features with a user-friendly design, making it a great choice for businesses. While its many capabilities can feel a bit overwhelming at first, I found the interface welcoming and modern, following the latest design trends.

Navigating the platform is easy, thanks to a clear layout and a navigation bar at the top that gives quick access to sections like Sales, Marketing, and Service. Users can customize their home dashboard, arranging widgets and data visuals based on what matters most to them.

Creatio embraces a no-code approach, making it simple to adjust layouts and fields, or even create new sections in the CRM without needing programming skills. The drag-and-drop interface designer is a fantastic tool, allowing users to quickly tailor the CRM to fit their needs. However, those who prefer simpler systems might feel a bit lost with so many options.

Data entry is typically smooth, with smart features that help fill in fields and detect duplicates to keep information accurate. However, during busy times, I did notice some slight delays in data updates, which could be frustrating for users working with urgent tasks.

Creatio has made impressive strides in accessibility, yet there is still room for growth. The platform supports keyboard navigation and has some screen reader compatibility, but certain dynamic elements might be tricky for users who rely on assistive technologies. The overall color contrast is good, which helps with readability, but some areas could use a little more work to fully meet WCAG Guidelines.

The Creatio Academy is a fantastic resource, offering many e-learning courses that cover everything from basic navigation to advanced customization techniques. I particularly enjoyed the guided learning programs. They provide interactive, instructor-led training sessions that focus on practical tasks, which can be very helpful for users eager to master the platform's more complex features.

In general, Creatio works by guiding users through predefined workflows that can be tailored to fit specific business processes. This helps ensure consistency across sales, marketing, and service operations in an organization. However, it may require adjustment for users used to a more flexible way of working.

Integrations

Creatio CRM stands out with its impressive integration capabilities, showcasing its dedication to creating a connected ecosystem for businesses. From my experience, Creatio makes it easy for both technical and non-technical users to navigate its integration features.

The Creatio Marketplace is a treasure trove, offering over 700 ready-to-use add-ons, connectors, and templates. Its range of options helps businesses quickly link Creatio with popular tools and platforms, without extensive development work. I found the setup for these pre-built integrations simple, often just requiring a few quick configuration steps.

Creatio also supports popular iPaaS (Integration Platform as a Service) vendors. The Zapier connector available in the Marketplace, for example, makes it easy for users to sync contacts, leads, and other important data across many applications.

For those with more advanced integration needs, Creatio offers a powerful API based on the OData protocol. It allows developers full access to Creatio's data model. But while the API provides great flexibility, new developers may find it a bit challenging to understand Creatio's data structure at first. API documentation is thorough, but adding more real-world examples could really help with practical implementation.

Beyond just data synchronization, Creatio's no-code approach empowers users to build complex, automated workflows across different systems. For example, I successfully set up a process that automatically creates a new contact in Creatio when a lead comes in from a marketing tool, and then triggers a follow-up task in a project management app.

Overall, my experience with data synchronization in Creatio has been mostly positive, with real-time updates working well most of the time. Still, I did notice some occasional delays during busy periods, which businesses with high-volume and time-sensitive data might want to keep in mind.

For larger enterprises, Creatio also provides specialized integration options. A great example is the Snowflake Integration for Creatio available in the Marketplace, which helps businesses connect their Creatio instance with Snowflake data warehouses.

Customer support

Creatio CRM has a strong customer support system across various channels. During my time with the platform, I found that it offers phone, email, as well as chat support. Phone support is available during business hours. But email and chat are accessible 24/7. Chat responses are quick, often within minutes.

The support quality is generally high. Representatives seem to know the platform well, too. They offer step-by-step instructions that help solve even the most complex issues easily. However, response times can slow down during busy periods, which raises concerns for busy teams.

Creatio also has a well-organized self-service knowledge base. It includes articles, videos, and guides on various topics. The search function is particularly useful. Additionally, there’s an active user forum for peer support. That said, official responses in the forum can be slow.

Another key feature is Creatio Academy, offering free courses and certifications. It's beneficial for both new and experienced users, with courses structured around practical exercises. I liked how each course is part of a larger learning program, making it easy to follow along.

But, Creatio could improve by adding more region-specific support. While it supports multiple languages, time zone differences can make live support hard to access. Overall, however, Creatio's support is robust and effective. It combines live support, self-service resources, and training courses well. Despite some areas for improvement, the support quality is a major strength.

Creation CRM pricing and plans

Plan	Growth	Enterprise	Unlimited
Price	$25/user/month	$55/user/month	$85/user/mont
Best For	Small to medium-sized businesses looking to automate basic workflows	Corporate and enterprise clients with more complex automation requirements	Large enterprises needing advanced features and unlimited resources
Features	No-code UI designer / 1 GB storage per user / Basic workflow automation	Unlimited workflow runs / Custom branding options / Advanced automation tools	Unlimited database storage / Custom domain name / No-code Magic offer
Limitations	Limited storage and workflow capabilities may restrict scalability for larger organizations	May be overkill for small businesses with simple CRM needs	High cost may not be justifiable for businesses not utilizing all advanced features

Creatio CRM features a flexible pricing model. This model allows customers to tailor subscriptions to their needs, but the cost is increased complexity. It includes three tiers: Growth, Enterprise, and Unlimited.

The Growth plan starts at $25 per user per month. It's aimed at small-to-medium-sized businesses. It covers basic automation and relationship management features. This plan also includes a no-code interface designer, 5 users, and 1 GB storage per user.

Next is the Enterprise plan priced at $55 per user per month. It's for businesses with complex needs. It offers all Growth features, plus unlimited workflows and custom branding. But the Unlimited plan starting at $85 per user per month is the most advanced of the lot. It caters to large enterprises with complex needs. It also includes unlimited storage and attachment space.

Creatio also introduces different user types, such as Restricted Data Input Users, External Users, and Mobile-Only Users, each potentially with different pricing implications. Its pricing also allows adding extra applications or products, such Customer 360, Lead and Opportunity Management, or Case Management. By creating a modular pricing approach, they make it easier to pay for only the features you need.

However, the flexibility can also complicate pricing. Accurately determining costs may require careful consideration. Businesses with diverse needs might find the discounted bundles more cost-effective, such as Sales Creatio, Service Creatio, or Marketing Creatio.

Creatio offers a 14-day free trial, which is useful. However, it doesn't have a permanent free plan. Discounts are often available. For example, the Unlimited plan includes a "No-code Magic" offer, which covers implementation for the first project from a certified partner. However, it's important to consider the extra charges that apply for additional products.

Creatio review: Final verdict

Creatio CRM is a versatile platform for managing customer relations, marketing, and business processes. Its no-code customization allows businesses to adapt easily, without needing technical skills.

The platform boasts strong features, wide integration options, and ongoing innovation. Its pricing, though complex, offers flexibility for specific needs. However, mastering all its features takes time.

I believe Creatio CRM suits medium to large businesses with complex needs and the resources for a full solution. It's also ideal for those wanting to build custom workflows without coding. Smaller businesses or those seeking a simpler solution might find it too complex.

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I tested the Thinkware U3000 Pro Dash Cam and it has heaps of potential — but it's outshone by affordable rivals

Thinkware U3000 Pro: two-minute review

Thinkware has recently introduced the U3000 Pro Dash Cam as a beefier edition of its existing U3000 model. The company is already well-known for producing some of the best dash cams out there, but this model takes things a step further with Connected Service support. Anyone wanting the ability to monitor their vehicle remotely will find that’s now possible with the Thinkware U3000 Pro, with an optional LTE module that will be sold separately.

Another bonus with the Thinkware U3000 Pro, much like the excellent 70mai 4K T800, is that it's able to work in a three channel setup. That means it can be configured to shoot forward-facing video, capture video out of the rear window and also enjoy an infrared view of the cabin area too. That said, if the LTE module is being used, Thinkware states that the cabin cam component cannot be engaged at the same time. Nevertheless, the latter is a handy option for anyone who needs to keep an eye on occupants, from small children through to anyone transporting passengers.

On paper too, the Thinkware U3000 Pro Dash Cam has an impressive set of features and functions. My two-channel review bundle came with twin cameras that feature Sony Starvis 2 sensors, one 8.4 megapixel IMX687 for the front and one 5.14 megapixel IMX675 for the rear, shooting 4K UHD (3840 x 2160p) at 30 fps or QHD (2560 x 1440p) at 60 fps for the forward-facing unit. The rear backs it up with 2K QHD (2560 x 1440p) and 30 fps, which is all perfectly serviceable.

(Image credit: Future)

This is a slightly different camera to look at too, with a slender body shape for the front that sits neatly tucked up and out of the way of the windshield. That could be a blessing for anyone with a small viewing area at the front. There isn’t any built-in screen though, which means the setup, configuration and day-to-day management of files mainly needs to be done in partnership with the Thinkware app. The app is workmanlike and gets the job done, while built-in Bluetooth and Wi-Fi covers the connectivity part of the equation without much in the way of fuss.

Like most dash cam models now, this is a unit that can be boosted still further with the optional addition of a hardwire kit. Plumbed into your vehicle’s electrics, the specification is boosted with smart parking modes that enhance the U3000 Pro's appeal. Features including built-in radar and Super Night Vision 4.0 that tap into the power of the Starvis sensors adds up the appeal even further.

Meanwhile, the ADAS (advanced driver assistance) tools and built-in GPS means the Thinkware U3000 Pro Dash Cam wants for nothing. It is, however, priced on the higher side and, and for anyone who prefers a rear screen on their dash cam, it might not fit the bill at all.

Thinkware U3000 Pro: price and availability

The Thinkware U3000 Pro Dash Cam is available now and is priced at $429.99 / £399 for the single channel U3000 Pro (roughly AU$800). Meanwhile, the two-channel variant is priced at $549.99 / £479 (around AU$960). This makes it a premium model, with lots of rival models to choose from, including the aforementioned 70mai 4K T800. Anyone wanting a similar dash cam but not requiring the additional features might prefer to just settle with the original U3000 model, which can currently be found discounted via some retailers.

Thinkware U3000 Pro: specs

VanTrue Nexus 5S specs

Video	Front: 4K UHD (3840 x 2160p) @30 fps or QHD (2560 x 1440p) @60 fps Rear: 2K QHD (2560 x 1440p) @30 fps
Field of view (FOV)	147 degrees front / 156 degrees rear
Storage	MicroSD up to 512GB, Cloud
GPS	Yes
Parking mode	Yes, with constant power cable, not included
App support	Thinkware app
Dimensions	69.8 x 102.6 x 55.5 mm / 2.75 x 4.04 x 2.19 inches
Weight	0.31 lbs / 140.7g front / 0.09 lbs 41.1g rear
Battery	No

Thinkware U3000 Pro: Design

Thinkware has gone down a slightly different route with the design of the U3000 Pro. While many dash cams are either boxy or rectangular, the main unit of the U3000 Pro is a little bit quirkier. The front portion of the body is where most of the bulk is as this houses the lens. This in itself is an interesting idea as its angle can be adjusted to suit the rake of different windshields. I found this very stiff to adjust at first, but I guess that prevents it from changing position due to vibration or rough roads.

The back end of the camera body is thinner and contains the slot for the microSD card and has ports for the cables. At the top, there’s a bracket that slides on to the body once it’s out of the packaging and this has the self-adhesive pad that sticks to either a static sheet or directly to the windshield. I think the design works quite well, with a form factor that isn’t quite as blatantly dash cam-looking as some rivals. Handy for anyone wanting a low-key look.

(Image credit: Future)

On the underside of the camera, facing downward from the roof, are three illuminated indicators that show BT/Wi-Fi, Rec and GPS from left to right. This panel also contains physical buttons – Rec, Power, Wireless and Microphone symbols, for when manual intervention is needed. The easiest way to get set up, though, is to do everything via the supporting Thinkware app.

Thinkware has kept things blocky for the design of the rear-facing camera and, again, I quite like the rectangular shape used here as it’s different from the many barrel-style units out there. The rear camera is linked up to the front-facing main unit via a decent length cable. Meanwhile, my test unit arrived with a 12V cable connector that could be connected to a standard in-car power port. The alternative is to buy the version with the hardwire kit, which unlocks the extra functionality mentioned above.

(Image credit: Future)

Thinkware U3000 Pro: Performance

It took me a couple of tries to successfully pair the Thinkware U3000 Pro Dash Cam to my iPhone, for whatever reason, possibly issues with the wireless connection. Once that was sorted, I was easily able to manage the camera and functionality using the options contained therein. Of course, one potential downside for this model is the lack of a built-in screen. However, in its place, the app let me adjust the angle of the camera correctly by showing a view across the bonnet of my car. Those on-camera buttons were useful for basic tasks too, but the app will be the way to go for most users.

Whilst it was operating, the Thinkware U3000 Pro Dash Cam got on with the job in hand without fuss, with the red recording button letting me know that it was capturing content as expected. Once I’d used it for a bit, I got the video off the card and checked it out. I’ll admit that wintry conditions didn’t prove the best for capturing good video but overall, I thought the Thinkware U3000 Pro Dash Cam footage was a bit on the average side. It was undeniably clear, but dark winter conditions seemed to take the edge off the overall look of the content.

(Image credit: Future)

Neither did it didn’t seem to be that good at capturing low light content, while picking out detail including license plates was less impressive than other models I’ve tried. A bit surprising given this model uses the ever-popular Sony Starvis hardware. I thought the detail (such as GPS data, speed and so on) added to the bottom of the footage was a bit on the small side too, especially compared to rivals, although the Wi-Fi and GPS functionality of this model all worked as expected. Overall, the Thinkware U3000 Pro Dash Cam felt good, but not as great as I’d hoped for.

(Image credit: Future)

One important thing to note is anyone wanting to enjoy the parking monitoring will need to do so by enlisting the services of an optional hardwire kit. This does increase the potential of the bundle, especially for anyone wanting the extra parking features that get unlocked by going down the hardwire route.

Should you buy the Thinkware U3000 Pro?

(Image credit: Future)

Buy it if...

You're after an always-on model
The Thinkware U3000 Pro benefits from an optional always-on feature, which offers remote monitoring via your smartphone. However, this requires an optional LTE module to work.

You like a slimline design
Another bonus of the Thinkware U3000 Pro is that the main body is quite compact. This makes it a sensible choice for anyone with a fairly small windshield.

You don't care about a rear screen
While the Thinkware U3000 Pro lacks a rear screen, it can be used easily thanks to the supporting app. This lets users manage every aspect of the dash cam with fuss.

Don't buy it if...

More basic shooting is all that's required
The Thinkware U3000 Pro is just that, a beefier edition of the U3000 Pro, which can be had discounted and while lacking some extra features, it's a solid alternative.

Hard wiring a dash cam doesn't appeal
The Thinkware U3000 Pro will work via a standard 12V car power port if that option is chosen when purchasing. However, any additional features and functions require a hardwire installation.

Footage is vital for piece of mind
The Thinkware U3000 Pro shoots good quality footage in a variety of scenarios. However, I've tested rivals that do it better with the benefit of clearer on-screen GPS data too.

How I tested the Thinkware U3000 Pro

• I installed the dash cam in a car for an initial period of three weeks
• I used it for various day and night journeys in all types of weather
• I connected it to my phone, downloading recordings to check on quality

I tested the Thinkware U3000 Pro Dash Cam overall several weeks, which consisted of using it in a test vehicle and in a variety of weather conditions. This allowed me to try all of the features and functions, aside from the hardwire options due to it being powered via a 12V power port.

In addition, I downloaded the Thinkware app, which was installed on an iPhone 17 and used during the installation process and also for file management duties. The Wi-Fi connectivity between the main camera unit and the app was also tested, which based on the size of the 4K video files was a big part of the testing procedure and everything worked as anticipated.

• First reviewed December 2025

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